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McNally Enterprises, INC.
Anaheim , CA
Production House | Corporate / Trade Show | Concert / Event

Expires: 07/13/20

Pay

300 per day

Position Responsibilities:
Coordinate with the Project Manager and Audio Department Head to plan and execute the technical aspects of each design, including interpreting audio needs and all signal flow plans, I/O lists, and stage + venue plots
Collaborate professionally with all production staff and clients to service all Audio technical support requests
Provides professional, courteous technical support service to all clients
Fulfills the role of System Tech or Console Operator, or both when required, depending on the size of the event
Responsible for setup, operation, and strike of equipment before, during, and after events, including operating all system processors/software, audio consoles, playback support systems, and any audio related gear as required
Direct any Audio technicians under their supervision in the completion of any tasks to deliver the expected MEI level of service, providing guidance when necessary

Position Requirements:
Minimum 3 years of live lead audio experience required
Live-mixing skills and working knowledge of digital consoles, including DiGiCo, Yamaha, Allen-Heath, Midas, Avid, or other touring grade manufacturer.
Understanding of line array prediction and monitoring software required
Excellent system management skills; including building a line array per spec sheet
Excellent knowledge of proper gain structure and signal flow
Excellent skills in deploying a system optimized for the acoustic space as well as coverage, such as, but not limited to, tuning the room, ringing out speakers
Knowledge and experience working with and mixing multiple wireless mics including lavaliers simultaneously
Working knowledge of standard audio related software, such as, but not limited to, Shure Workbench 6, Qlab, Tracks Live, Dante Controller, Smaart
Ability to interpret event technical documents such as, but not limited to, technical riders, signal flow diagrams, input lists, stage plots, events run-of-show, cue lists, etc.
Basic understanding of audio-related rigging gear such as, but not limited to, motors, hoists, crank lifts, truss, span sets, shackles, beam clamps, mega-claws, etc.
Ability to rig an audio array from rig point downward or to create rigging point for small audio systems utilizing a variety of rigging hardware options
Ability to work in a high-stress environment and demonstrate initiative
Strong verbal and written communication skills and organization and time-management skills
Availability and willingness to work extended hours, including nights, weekends, holidays, and be on call as necessary
Punctuality, professionalism, and a positive collaborative attitude when working with clients and co-workers


Preferred Qualifications:
Corporate / Special Events / Hotel / Arena / Broadcast / Festival / Performance Audio experience is a plus
Self-motivated with ability to work on several projects simultaneously with minimal supervision
Ability to stand, kneel, and/or crouch for long periods of time
Ability to climb ladders and scaffolding, and operate single column lifts (Genies or scissor lifts), and comfortable working at heights
Ability to work in a variety of environments, including hot, humid, cold, and in small, cramped spaces
Able to lift + move excess of 60lbs unassisted, and lift and move 100lbs with assistance


Contact

Jon Yolland

Audio Department Head

jyolland(at)me-i(dot)com

Business Address

1010 N Grove Ave

Anaheim , CA 92806

Posted: 01/13/2020 14:59:35 EST

Last Updated: 01/13/2020 18:00 EST

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